April 5, 2021
This episode is a series of interviews with Humanities scholars Mathieu Aubin, Clint Burnham, Treena Chambers, and T.L. Cowan about their approaches to the ethics of listening in their own research. We join Deanna Fong and Mike O’Driscoll as they step back to listen to the ethical practices of expert listeners. They’ll guide us through […]
March 15, 2021
EPISODE SUMMARY March is a time of year when you can hum along to “It Might as Well be Spring,” but, on other days, it can feel like winter might never end. Can we hear spring in the archives? And what does it feel like to listen to sonic representations of change – at a distance […]
March 1, 2021
On February 14, 1984, Mavis Gallant visited Simon Fraser University. She did a reading of her short story “Grippes and Poche,” which was published in the New Yorker in 1982 — her ninety-fifth work in the magazine. Containing the full recording of her reading, which includes Gallant’s live commentary as she reads, “Mavis Gallant Reads […]
February 15, 2021
EPISODE SUMMARY In this season of ShortCuts we’ve spent some time in a 1969 recording of poet Muriel Rukeyser, and we’re going to stay in that recording for this minisode, partly due to the depth of material within this single recording and partly as an opportunity to reflect upon what a minisode can do – […]
February 1, 2021
What does “listening” mean within the context of the literary classroom? In this episode we join Director of the SpokenWeb Network and Professor at Concordia University – Jason Camlot – in conversation with SpokenWeb podcast supervising producer and Simon Fraser University PhD candidate – Stacey Copeland – to explore how sound studies is being taken […]
January 18, 2021
EPISODE SUMMARY This ShortCuts minisode listens to one of the January readings that we heard about last time: a reading by Muriel Rukeyser that took place on January 24, 1969. Along with listening for mentions of January in the recording, this minisode listens to how Rukeyser’s reading enacts the very connection that she describes – […]
January 11, 2021
For hundreds of years, the Yorùbá people of West African have used “talking drums” to send messages across great distances. West African languages are highly musical, full of rising and falling tones. The pitch of talking drums can be adjusted to mimic these tones, so drummers can “speak” to one another. The drummer encodes the […]
December 21, 2020
EPISODE SUMMARY In trying to listen for time, this ShortCuts minisode listens for the New Year in SpokenWeb’s audio collections. What hopes do audiences have for the new year? And how do archival recordings help us understand our affective relation to time in our present moment? The audio for this ShortCuts minisode is cut from […]
December 7, 2020
For Penn Kemp, poetry is magic made manifest. While her subjects are varied, and her interests and approaches have evolved over the years, Kemp has always understood the power of spoken word to evoke emotion, shift consciousness, and shape the world. Drawing on a syncretic blend of spiritual philosophy informed by Buddhist, Hindu, and Celtic […]
November 16, 2020
EPISODE SUMMARY This month’s ShortCut is an archival recording which transports us into the feeling of being at a live poetry reading. A feeling we are craving (right now in November 2020) as the covid-19 pandemic and social distancing continue. What is it that we are really missing about the live listening experience? The poetry? […]
November 2, 2020
This episode of The SpokenWeb Podcast is a little different than episodes you’ve heard from us before. It is a kind of “feminist memory-work” – An audio collage, a method, an approach to community building which aims to honor lesbian-feminist collective histories and renewed public attention to lesbian feminist culture. SpokenWeb network members Felicity Tayler […]
October 19, 2020
EPISODE SUMMARY Welcome to ShortCuts. To kick off the new miniseries season, Katherine invites us into an audio remix of short clips from deep in the archive to consider: what does it mean and what is possible (technologically, phenomenologically, ethically, poetically) to cut and splice digitally? What kinds of new stories and audio-criticism can be […]
October 5, 2020
Who chooses what words will be heard at a poetry reading, in what order, and why? Since 2018, Montreal-based poet and researcher Klara du Plessis has been developing her own practice of poetry reading organization by heightening the curator’s role in its production. She calls this experimental practice Deep Curation. This episode – the “Season […]
September 21, 2020
Get ready for Season 2 of the SpokenWeb Podcast, stories about how literature sounds. We have a brand-new line up of original episodes for you from archives, universities and in these physically distant times, the many spaces and places we call home, all across Canada and beyond. Whether it’s a deep dive into deep curation poetry, […]
August 3, 2020
How do concepts make us feel? What is the function of affect in the communication of ideas? In this episode, three SpokenWeb graduate students – Ali Barillaro, Sadie Barker and Emma Telaro – revisit their experience of making a short-form podcast as an exercise that was assigned to them by SpokenWeb researcher Jason Camlot in […]
July 20, 2020
EPISODE SUMMARY In episode 7 of The SpokenWeb Podcast (“The Voice is Intact”), producer Hannah McGregor and guest Jen Sookfong Lee listen together to Gwendolyn MacEwen reading the poem “The Zoo” (recorded in Montreal, 1966). As we listen to them listening on the podcast, we hear a gasp and even an exclamation: “Melodious!” What was […]
July 6, 2020
This month on the SpokenWeb Podcast, we are excited to share with you a special episode from our sister podcast Soundbox Signals. Spokenweb’s Karis Shearer is joined by curator Amy Thiessen and special guests Hannah McGregor and Emily Murphy to question what we can uncover about the dynamics of a space through listening. Together they […]
June 15, 2020
EPISODE SUMMARY This month we bring you a very special guest curator edition of SpokenWeb’s Audio of the Month. In this minisode, Katherine McLeod is joined by SpokenWeb researcher and postdoctoral fellow Mathieu Aubin for a glimpse into the life and work of Canadian poet bill bissett – from poetic surveillance to an avant-garde dinner […]
June 1, 2020
If you’ve been listening to this podcast for a while, there’s a name you might be familiar with — it’s mentioned every episode — that has so far been almost entirely off-mic. We’re talking about Stacey Copeland, SpokenWeb’s podcast project manager and supervising producer. Stacey helps to make this podcast possible, collaborating with SpokenWeb contributors […]
May 18, 2020
EPISODE SUMMARY This month our SpokenWeb minisode features Canadian poet Daphne Marlatt reading “Lagoon” from Vancouver Poems (1972), a deeply local collection that she had not yet published when this reading took place at Sir George Williams University (now Concordia) in Montreal. When listening to Marlatt reading “Lagoon,” we can hear the many futures of […]
May 4, 2020
Since mid-March 2020 most people across the world have been adhering to protocols of social distancing and self-isolation due to the global COVID-19 pandemic. We are living a historical period of major global and local disruption to work, social life, home life, and major new parameters around what we can do, who we can see, […]
April 20, 2020
EPISODE SUMMARY In this Audio of the Month minisode Katherine Mcleod features recordings of poet Dorothy Livesay. We hear Livesay read selections of her work including “Bartok and the Geranium,” a poem that is often anthologized and, in fact, you may have studied it in a course on Canadian poetry. But do you know how […]
April 6, 2020
Poet Gwendolyn MacEwen, perhaps best known for winning the 1969 Governor General’s Award for her collection The Shadow Maker and the 1987 GG, posthumously, for Afterworlds, is perhaps one of the most significant Canadian poets whose work is entirely out of print. MacEwen was only 46 when she died, and her tragic life combined with […]
March 16, 2020
EPISODE SUMMARY This month our SpokenWeb minisode features Kaie Kellough reading at The Words and Music Show, Nov 20, 2016. As Kellough starts to introduce his reading, a pre-recorded voice slowly mixes with his live words. Where, then, does the introduction end, and where does the reading begin? EPISODE NOTES Each month on alternate fortnights […]
March 2, 2020
This month on the SpokenWeb Podcast, we are excited to share with you a new podcast in the SpokenWeb family – SoundBox Signals – inviting us to listen in close to UBCO’s SoundBox Collection. In this episode, Spokenweb’s Karis Shearer, curator Mathieu Aubin and guests Lauren St. Clair and Nour Sallam invite us into a […]
February 17, 2020
EPISODE SUMMARY As we come to the end of a holiday long weekend here in Canada, it’s time for a new episode of SpokenWeb’s Audio of The Month: ‘mini’ stories about how literature sounds. This month Katherine shares a recording of Canadian poet Maxine Gadd reading “Shore Animals” with improvised flute by Richard Sommer (1972). […]
February 3, 2020
In this episode of the SpokenWeb podcast, student contributor Kate Moffatt revisits “Feminist Noise, Silence, and Refusal” – a live panel from the 2019 SpokenWeb Symposium hosted at Simon Fraser University in British Columbia. With presentations from Lucia Lorenzi, Milena Droumeva, Brady Marks, and Blake Nemec (moderated by Hannah McGregor) the panel explores how we […]
January 20, 2020
EPISODE SUMMARY Welcome to our first SpokenWeb minisode. Each month on alternate fortnights (that’s every second week following the monthly spokenweb podcast episode) – join Hannah McGregor, and minisode host and curator Katherine McLeod for SpokenWeb’s Audio of Month mini series. This month Katherine shares a recording of Canadian poet Daryl Hine reading “Point Grey” […]
January 6, 2020
Over the years, Elizabeth Smart’s 1945 novel By Grand Central Station I Sat Down and Wept has risen from obscurity to cult classic. The book, which details an ill-fated love affair between an unnamed narrator and her married lover, is celebrated for its lyricism, passionate intensity, and its basis in Elizabeth’s real-life relationship with the […]
December 2, 2019
From archival work to domestic and care work or the hidden labour behind the podcast you’re listening to right now… invisible labour is everywhere. That is, the work and the people not always seen from the outside or valued in our day to day lives. This month we reflect on the often invisible (or inaudible) […]
November 4, 2019
In “Sound Recordings are Weird: Stories and thoughts about early spoken recordings”, SpokenWeb research Jason Camlot interviews collaborators in the SpokenWeb Network to uncover the stories behind the making of Early Literature Recordings. Drawing from his recent book “Phonopoetics: The Making of Early Literary Recordings”, Jason invites guests Lisa Gitelman, Patrick Feaster, David Seubert, John […]
October 7, 2019
SpokenWeb is a literary research network, dedicated to studying literature through sound. But how did this project begin? What kinds of literary recordings inspired it and where were they found? And what happened next in order for these recordings to be heard? For this inaugural episode of the SpokenWeb Podcast, Katherine McLeod seeks to answer […]
September 18, 2019
Say hello to SpokenWeb host Hannah Mcgregor as we kick off our brand new series – The SpokenWeb Podcast: Stories about how literature sounds.
September 18, 2019
Say hello to SpokenWeb host Hannah Mcgregor as we kick off our brand new series – The SpokenWeb Podcast: Stories about how literature sounds.
October 7, 2019
SpokenWeb is a literary research network, dedicated to studying literature through sound. But how did this project begin? What kinds of literary recordings inspired it and where were they found? And what happened next in order for these recordings to be heard? For this inaugural episode of the SpokenWeb Podcast, Katherine McLeod seeks to answer […]
November 4, 2019
In “Sound Recordings are Weird: Stories and thoughts about early spoken recordings”, SpokenWeb research Jason Camlot interviews collaborators in the SpokenWeb Network to uncover the stories behind the making of Early Literature Recordings. Drawing from his recent book “Phonopoetics: The Making of Early Literary Recordings”, Jason invites guests Lisa Gitelman, Patrick Feaster, David Seubert, John […]
December 2, 2019
From archival work to domestic and care work or the hidden labour behind the podcast you’re listening to right now… invisible labour is everywhere. That is, the work and the people not always seen from the outside or valued in our day to day lives. This month we reflect on the often invisible (or inaudible) […]
January 6, 2020
Over the years, Elizabeth Smart’s 1945 novel By Grand Central Station I Sat Down and Wept has risen from obscurity to cult classic. The book, which details an ill-fated love affair between an unnamed narrator and her married lover, is celebrated for its lyricism, passionate intensity, and its basis in Elizabeth’s real-life relationship with the […]
January 20, 2020
EPISODE SUMMARY Welcome to our first SpokenWeb minisode. Each month on alternate fortnights (that’s every second week following the monthly spokenweb podcast episode) – join Hannah McGregor, and minisode host and curator Katherine McLeod for SpokenWeb’s Audio of Month mini series. This month Katherine shares a recording of Canadian poet Daryl Hine reading “Point Grey” […]
February 3, 2020
In this episode of the SpokenWeb podcast, student contributor Kate Moffatt revisits “Feminist Noise, Silence, and Refusal” – a live panel from the 2019 SpokenWeb Symposium hosted at Simon Fraser University in British Columbia. With presentations from Lucia Lorenzi, Milena Droumeva, Brady Marks, and Blake Nemec (moderated by Hannah McGregor) the panel explores how we […]
February 17, 2020
EPISODE SUMMARY As we come to the end of a holiday long weekend here in Canada, it’s time for a new episode of SpokenWeb’s Audio of The Month: ‘mini’ stories about how literature sounds. This month Katherine shares a recording of Canadian poet Maxine Gadd reading “Shore Animals” with improvised flute by Richard Sommer (1972). […]
March 2, 2020
This month on the SpokenWeb Podcast, we are excited to share with you a new podcast in the SpokenWeb family – SoundBox Signals – inviting us to listen in close to UBCO’s SoundBox Collection. In this episode, Spokenweb’s Karis Shearer, curator Mathieu Aubin and guests Lauren St. Clair and Nour Sallam invite us into a […]
March 16, 2020
EPISODE SUMMARY This month our SpokenWeb minisode features Kaie Kellough reading at The Words and Music Show, Nov 20, 2016. As Kellough starts to introduce his reading, a pre-recorded voice slowly mixes with his live words. Where, then, does the introduction end, and where does the reading begin? EPISODE NOTES Each month on alternate fortnights […]
April 6, 2020
Poet Gwendolyn MacEwen, perhaps best known for winning the 1969 Governor General’s Award for her collection The Shadow Maker and the 1987 GG, posthumously, for Afterworlds, is perhaps one of the most significant Canadian poets whose work is entirely out of print. MacEwen was only 46 when she died, and her tragic life combined with […]
April 20, 2020
EPISODE SUMMARY In this Audio of the Month minisode Katherine Mcleod features recordings of poet Dorothy Livesay. We hear Livesay read selections of her work including “Bartok and the Geranium,” a poem that is often anthologized and, in fact, you may have studied it in a course on Canadian poetry. But do you know how […]
May 4, 2020
Since mid-March 2020 most people across the world have been adhering to protocols of social distancing and self-isolation due to the global COVID-19 pandemic. We are living a historical period of major global and local disruption to work, social life, home life, and major new parameters around what we can do, who we can see, […]
May 18, 2020
EPISODE SUMMARY This month our SpokenWeb minisode features Canadian poet Daphne Marlatt reading “Lagoon” from Vancouver Poems (1972), a deeply local collection that she had not yet published when this reading took place at Sir George Williams University (now Concordia) in Montreal. When listening to Marlatt reading “Lagoon,” we can hear the many futures of […]
June 1, 2020
If you’ve been listening to this podcast for a while, there’s a name you might be familiar with — it’s mentioned every episode — that has so far been almost entirely off-mic. We’re talking about Stacey Copeland, SpokenWeb’s podcast project manager and supervising producer. Stacey helps to make this podcast possible, collaborating with SpokenWeb contributors […]
June 15, 2020
EPISODE SUMMARY This month we bring you a very special guest curator edition of SpokenWeb’s Audio of the Month. In this minisode, Katherine McLeod is joined by SpokenWeb researcher and postdoctoral fellow Mathieu Aubin for a glimpse into the life and work of Canadian poet bill bissett – from poetic surveillance to an avant-garde dinner […]
July 6, 2020
This month on the SpokenWeb Podcast, we are excited to share with you a special episode from our sister podcast Soundbox Signals. Spokenweb’s Karis Shearer is joined by curator Amy Thiessen and special guests Hannah McGregor and Emily Murphy to question what we can uncover about the dynamics of a space through listening. Together they […]
July 20, 2020
EPISODE SUMMARY In episode 7 of The SpokenWeb Podcast (“The Voice is Intact”), producer Hannah McGregor and guest Jen Sookfong Lee listen together to Gwendolyn MacEwen reading the poem “The Zoo” (recorded in Montreal, 1966). As we listen to them listening on the podcast, we hear a gasp and even an exclamation: “Melodious!” What was […]
August 3, 2020
How do concepts make us feel? What is the function of affect in the communication of ideas? In this episode, three SpokenWeb graduate students – Ali Barillaro, Sadie Barker and Emma Telaro – revisit their experience of making a short-form podcast as an exercise that was assigned to them by SpokenWeb researcher Jason Camlot in […]
September 21, 2020
Get ready for Season 2 of the SpokenWeb Podcast, stories about how literature sounds. We have a brand-new line up of original episodes for you from archives, universities and in these physically distant times, the many spaces and places we call home, all across Canada and beyond. Whether it’s a deep dive into deep curation poetry, […]
October 5, 2020
Who chooses what words will be heard at a poetry reading, in what order, and why? Since 2018, Montreal-based poet and researcher Klara du Plessis has been developing her own practice of poetry reading organization by heightening the curator’s role in its production. She calls this experimental practice Deep Curation. This episode – the “Season […]
October 19, 2020
EPISODE SUMMARY Welcome to ShortCuts. To kick off the new miniseries season, Katherine invites us into an audio remix of short clips from deep in the archive to consider: what does it mean and what is possible (technologically, phenomenologically, ethically, poetically) to cut and splice digitally? What kinds of new stories and audio-criticism can be […]
November 2, 2020
This episode of The SpokenWeb Podcast is a little different than episodes you’ve heard from us before. It is a kind of “feminist memory-work” – An audio collage, a method, an approach to community building which aims to honor lesbian-feminist collective histories and renewed public attention to lesbian feminist culture. SpokenWeb network members Felicity Tayler […]
November 16, 2020
EPISODE SUMMARY This month’s ShortCut is an archival recording which transports us into the feeling of being at a live poetry reading. A feeling we are craving (right now in November 2020) as the covid-19 pandemic and social distancing continue. What is it that we are really missing about the live listening experience? The poetry? […]
December 7, 2020
For Penn Kemp, poetry is magic made manifest. While her subjects are varied, and her interests and approaches have evolved over the years, Kemp has always understood the power of spoken word to evoke emotion, shift consciousness, and shape the world. Drawing on a syncretic blend of spiritual philosophy informed by Buddhist, Hindu, and Celtic […]
December 21, 2020
EPISODE SUMMARY In trying to listen for time, this ShortCuts minisode listens for the New Year in SpokenWeb’s audio collections. What hopes do audiences have for the new year? And how do archival recordings help us understand our affective relation to time in our present moment? The audio for this ShortCuts minisode is cut from […]
January 11, 2021
For hundreds of years, the Yorùbá people of West African have used “talking drums” to send messages across great distances. West African languages are highly musical, full of rising and falling tones. The pitch of talking drums can be adjusted to mimic these tones, so drummers can “speak” to one another. The drummer encodes the […]
January 18, 2021
EPISODE SUMMARY This ShortCuts minisode listens to one of the January readings that we heard about last time: a reading by Muriel Rukeyser that took place on January 24, 1969. Along with listening for mentions of January in the recording, this minisode listens to how Rukeyser’s reading enacts the very connection that she describes – […]
February 1, 2021
What does “listening” mean within the context of the literary classroom? In this episode we join Director of the SpokenWeb Network and Professor at Concordia University – Jason Camlot – in conversation with SpokenWeb podcast supervising producer and Simon Fraser University PhD candidate – Stacey Copeland – to explore how sound studies is being taken […]
February 15, 2021
EPISODE SUMMARY In this season of ShortCuts we’ve spent some time in a 1969 recording of poet Muriel Rukeyser, and we’re going to stay in that recording for this minisode, partly due to the depth of material within this single recording and partly as an opportunity to reflect upon what a minisode can do – […]
March 1, 2021
On February 14, 1984, Mavis Gallant visited Simon Fraser University. She did a reading of her short story “Grippes and Poche,” which was published in the New Yorker in 1982 — her ninety-fifth work in the magazine. Containing the full recording of her reading, which includes Gallant’s live commentary as she reads, “Mavis Gallant Reads […]
March 15, 2021
EPISODE SUMMARY March is a time of year when you can hum along to “It Might as Well be Spring,” but, on other days, it can feel like winter might never end. Can we hear spring in the archives? And what does it feel like to listen to sonic representations of change – at a distance […]
April 5, 2021
This episode is a series of interviews with Humanities scholars Mathieu Aubin, Clint Burnham, Treena Chambers, and T.L. Cowan about their approaches to the ethics of listening in their own research. We join Deanna Fong and Mike O’Driscoll as they step back to listen to the ethical practices of expert listeners. They’ll guide us through […]
