Shannon Bain has started her new role as a SpokenWeb Graphic/ Web Designer, housed at Concordia University. This role Shannon is an interdisciplinary designer from Montréal. She helps organizations build authentic identities to launch impactful projects, with human-centred design thinking at the heart of all of her work. She is currently pursuing a Bachelor’s degree in Design at Concordia University.

Ali Barillaro is a first year Master’s student in English Literature at Concordia University. She has previous degrees in both photography and education. Her personal research focuses on deconstructing and reimagining canonical literature, with a particular interest in science fiction. As a member of the SpokenWeb student team, she is involved in the application of the metadata scheme to the SGW Reading Series and would like to research and examine the formal conventions of poetry reading series, while paying particular attention to the treatment of applause in the SGW recordings.

Evan Berg is an emerging artist based in Kelowna, British Columbia. He holds a certificate in Documentary Film Production from Capilano University and is working on a BFA in Visual Art at UBC Okanagan. He is interested in digital cultures and their role in contemporary life. He explores this theme through the mediums of video, sculpture, sound, animation and installation. As an RA for the SpokenWeb project, Evan has produced artistic work and design including co-creation of the SpokenWeb logo. Evan has exhibited work both locally and internationally.

Clint Burnham’s knowledge of modern and avant-garde Canadian poetry and poetics, combined with academic/pedagogical praxis in Marxism/psychoanalysis and digital theory will contribute unique expertise from the perspective of both practitioner and theorist.

Megan Butchart is a fourth-year undergraduate student at UBC Okanagan, majoring in English and History. She is interested in the discipline of archival studies, including the physical and digital preservation of archival collections. Her work on the SpokenWeb Project includes processing the SoundBox collection of literary audio recordings and developing pedagogical tools to promote active learning and engagement with the archive.

Jason Camlot (PI and Director) brings extensive experience in the development and management of interdisciplinary, collaborative research teams, expertise in literary sound recordings, and has developed digital artifacts including a sound archive, digital poetry installations, and mobile media apps. He will guide the vision of the program, foster productive working relationships among network participants, help shape and articulate the goals of projects as they are pursued by working groups, facilitate collaboration across institutions, disciplines and communities, advocate for the project in all contexts, and ensure productive and rewarding experiences for students and emerging scholars.

Tanya Clement brings necessary expertise in digital sound technologies, data searching and visualization in relation to literary audio corpora, and software development for sound pattern searching.

Emma Cullen is an MA student in the Department of English & Film Studies at the University of Alberta. Her research interests include experimental poetry and fiction, narrative theory, digital humanities, material culture, and book history. She is currently working on documenting metadata and conducting archival research for UAlberta’s collection of SpokenWeb audio recordings.

Cecily Devereux brings extensive knowledge of U Alberta’s collection of cassette and reel-to-reel recordings of Canadian writers from her ten years of work in developing and cataloguing that collection.

Rebecca Dowson’s research focus on the intersection of libraries and digital humanities, digital cultural heritage projects, and new forms of scholarly publishing will contribute to these three important areas of the program.

Klara du Plessis is a PhD student in English at Concordia University and part of the SpokenWeb research team, experimenting with a Deep Curation approach to poetry event organization, navigating the texts presented and their strategic, thematic arc. Klara is also a poet whose debut collection Ekke is currently shortlisted for both the Gerald Lampert and the Pat Lowther Memorial Awards from the League of Canadian Poets. Her second collection is forthcoming fall 2020.

Patrick Feaster, Media Preservation Specialist for Media Digitization and Preservation at Indiana U, Bloomington, Co-Founder of the First Sounds Initiative, and immediate Past President of the Association for Recorded Sound Collections, contributes significant expertise in the history and digital study of historical spoken recordings.

Al Filreis’s experience in curating and developing PennSound will contribute expertise on the acquisition of hidden collections, and the presentation and use of literary sound recordings in accessible digital environments.

Liz Fischer is a second year PhD student in English at the University of Texas at Austin. She studies medieval literature, the history of text technologies, and digital humanities.

Deanna Fong is a PhD candidate in English at Simon Fraser University in Vancouver, Canada, where her research focuses on the intersections of auditory media, event theory, literary communities, and affective labour. With Ryan Fitzpatrick and Janey Dodd, she co-directs the audio/multimedia archive of Canadian poet Fred Wah, and has done substantial cataloguing and critical work on the audio archives of Japanese-Canadian poet and painter Roy Kiyooka. She is the Student Representative on the SpokenWeb Governing Board and a part of the Metadata Task Force. She is also cataloguing the “Readings in B.C.” collection of audio recordings at SFU Special Collections.

Carole Gerson brings extensive knowledge of Canadian literature and Canadian book history, and experience in the creation of Canadian digital heritage resources pertaining to these fields to our research program.

Cheryl Gladu has accepted the role of a SpokenWeb Podcast Producer, housed at Concordia University. This role will closely work with SFU Podcast Team led by Hannah McGregor, SFU. Cheryl Gladu, BIB, MBA is an Interdisciplinary PhD Candidate at Concordia University (Management and Design). Cheryl’s current research and professional interests include collaborative design and the creation of places and objects that encourage long-term sustainable behavior change. She is also the producer and host of the Worlds We Want podcast.

Deserae Gogel is an M.A. English candidate at UBC’s Okanagan campus, where her research focuses on performance and on social justice and/in contemporary Canadian theatre. She completed a B.A. and B.Ed. in English at the University of Lethbridge (2016), after which she taught at the high school level in Canada and England. Deserae will be contributing to the pedagogy task force by facilitating the SpokenWeb “Press Play Workshops Series” in the AMP Lab at UBCO, and conducting research on pedagogy and the digital archive.

Adam Hammond brings expertise in computational humanities and literary modernism.

Bio coming soon.

Geoff Harder contributes expertise in digitization, archiving, digital repositories, and research data management.

UBCO Library’s Archivist and Indigenous Studies Subject Librarian, Paige Hohmann is responsible for the campus’s Okanagan Special Collections and Archives. Her expertise is in the best practices in digitization and representation of primary source materials in an electronic environment, and archival education for historical researchers. She is also a project coordinator for Digitized Okanagan History (DOH), a community outreach project which aims to capture and provide web access to under-utilized archival materials

Chris Ick is a M.S. candidate at NYU’s Center for Data Science, with a focus in music and audio research. His research experience lies primarily in astrophysical data analysis, and has prior experience writing technical manuals and designing educational experiments within NYU’s undergraduate physics program. He plans to work with Prof. Brian McFee to build training materials for spoken work computational analysis techniques, and will use his history developing tutorials and writing signal analysis code to help further the projects long-term goals.

Bio coming soon.

Smaro Kamboureli brings expertise in the areas of Canadian literature, postcolonial and diaspora studies, and theory to our program.  She will initiate research on diasporic voices in literary archives of recorded sound. She is the Avie Bennett Chair in Canadian Literature at the University of Toronto.

Richard Kim is an undergraduate at the University of California, Davis studying Computer Science and Linguistics. He has experience as a research assistant for the Computational Linguistics Lab under Dr. Kenji Sagae and Language, Multimodal and Interaction Lab under Dr. Zhou Yu. In addition, he worked as a student developer for Data Science Initiative and Information Educational Technology. Currently, Richard is involved in two grant projects, a NEH grant project (Tools for Listening to Text-in-Performance) and a SSHRC Partnership grant project (Spoken Web), designing programs to assist in editing poetry recordings, provide data analysis and visualization, and calculate new methods for analyzing pitch and timing in speech. His research interests include natural language processing, acoustic analysis, and human-computer interaction. In his spare time, he enjoys playing soccer, reading, and taking naps.

Wade Klaver works for research computing at UBC’s Okanagan campus serving researchers there as well as the greater research community at UBC. Wade began his career in Canada’s oil and gas sector, eventually coming to UBC after more than a decade spent with various high tech start-ups in the Okanagan Valley where he worked in several technical and managerial roles.

A science enthusiast from an early age, Wade’s varied interests and technology experience have prepared him well as a science communicator, effectively bridging the gap between science and technology on one hand and laymen and, whenever possible, the young, on the other.

Bio coming soon.

Bio coming soon.

Michelle Levy (Co-applicant), Co-Director of the Digital Humanities Innovation Lab at SFU, brings a strong theoretical background in literary and sound studies, and extensive expertise in data architecture and management that will prove useful for our creation of metadata standards necessary for the aggregation of diverse corpora of recorded literary readings.

Sean Luyk will work to digitize, preserve, and provide access to U Alberta audio and contribute to research on the use of audio recordings in virtual research environments.

Marit MacArthur contributes expertise in voice studies with a focus on the quantification and perception of performative speech patterns and the development and use of digital tools for the analysis of audiotexts.

Loryl MacDonald will provide expertise in research data management to this research project.

Brian McFee is Assistant Professor of Music Technology and Data Science at NYU Steinhardt and the NYU Center for Data Science. He holds a B.S. degree in Computer Science (2003) from the University of California at Santa Cruz, and M.S. (2008) and Ph.D. (2012) degrees in Computer Science and Engineering from the University of California at San Diego.

His research lies at the intersection of machine learning, signal processing, and information retrieval, with the overarching goal of developing algorithms to expose latent structure in recorded audio. He is an active developer of open source scientific software, and is the primary maintainer of the librosa package for audio content analysis.

Dr. McFee’s primary contribution to the project will be to design and develop materials for a training workshop on computational analysis of spoken word audio recordings.  In service of this, he plans to recruit a student (masters level) to assist with developing materials and software, which will be of general benefit to the project in the long term.

https://bmcfee.github.io/

Hannah McGregor brings expertise in Canadian literature, digital humanities, and podcasting production.

Katherine McLeod researches and teaches Canadian literature through sound, performance, and archives. She received her doctorate from the University of Toronto and she held a SSHRC-funded postdoctoral fellowship with TransCanada Institute (U of Guelph), followed by a postdoctoral fellowship with the SSHRC IG-funded SpokenWeb at Concordia University. Her recent publications include a chapter in the book Public Poetics: Critical Issues in Canadian Poetry and Poetics, a chapter in the forthcoming book edited by Linda Morra, Moving Archives (Wilfrid Laurier UP), and in the forthcoming book that she has co-edited with Jason Camlot, CanLit Across Media: Unarchiving the Literary Event (MQUP). Currently, she is an Affiliate Assistant Professor in the Department of English at Concordia University, where she researches CBC Radio recordings and where she is organizing SpokenWeb’s Ghost Reading Series.

Follow the site she curates for Montreal readings at WherePoetsRead.ca and @poetsread.

Bio coming soon.

Bio coming soon.

Nick Mount’s expertise in Canadian letters, and in 1960s Canadian culture, will be invaluable for deciphering the contents of our partner collections. A 3M Teaching Award recipient, and long-time teacher of the course “Literature in Our Time” which integrated readings and conversation with contemporary authors into the curriculum, he will also provide insight on teaching with literary recordings.

Chris Mustazza’s experience in curating and developing PennSound will contribute expertise on the acquisition of hidden collections, and the presentation and use of literary sound recordings in accessible digital environments.

Tomasz Neugebauer brings significant expertise in open digital repositories, information visualization, and open source software development.

Mike O’Driscoll (Co-applicant) brings needed expertise in archive theory, poetry and poetics, and material culture studies and strong leadership and organizational skills from extensive administrative experience as a journal editor, national association executive member, project leader, and major conference organizer.

Tony Power’s extensive knowledge of the Contemporary Literature Collection at SFU, including hundreds of hours of literary audio recordings, will contribute to work on the SFU literary audio holdings.

Louis Rastelli (collaborator) brings extensive experience in the development of a community-focused archive, and will contribute to the digital development of ARCMTL’s holdings, as well as to community outreach and dissemination activities.

Andrew Roberge is entering his first year of graduate studies in English at Concordia University. Following a number of rewarding presentations and publications of his own research at the undergraduate level, he is thrilled to diversify his experience and work hands-on as a research assistant with SpokenWeb.

Matthew Rubery is Professor of Modern Literature at Queen Mary University of London. He is the author of The Untold Story of the Talking Book (2016) and editor of Audiobooks, Literature, and Sound Studies (2011). He also co-curated “How We Read: A Sensory History of Books for Blind People,” a public exhibition held at the UK’s first annual Being Human festival. He expertise in the history of literature, sound studies, and media history.

Megan Ryland is completing her Master of Arts in Educational Studies at UBC. Her thesis focuses on media and digital literacy, informal learning, Twitter, and hashtag activism. Her work as a research assistant for Dr. Hannah McGregor (SFU) supports the production of a literary podcast that will act as a public platform for distributing the audio and analysis created or surfaced from archives as part of SpokenWeb.

Melissa Salrin is Head of Special Collections and Rare Books at Simon Fraser University. She is an adjunct lecturer for the iSchool at the University of Illinois where she earned an M.A. in history and M.L.I.S. She is interested in outreach, community-based collections, and examining archives as a political space.

David Seubert, Acting Head of Special Collections at the Davidson Library, UCSB, has served as PI on some of the world’s largest projects of cataloguing, digitizing and preserving analogue sound recordings.  His expertise and extensive experience working with sound recordings in archaic formats represents a vital resource to our program.

Karis Shearer, Director of the AMP Lab and the SoundBox Collection, Shearer is an associate professor at UBC’s Okanagan campus in the Department of English and Cultural Studies. She leads SpokenWeb’s Pedagogy Task Force and contributes expertise in the areas of Canadian poetry, performance, pedagogy, and media culture. She acknowledges that she lives and works on Syilx Okanagan territory.

Lauren St. Clair is an undergraduate at the University of British Columbia Okanagan, studying Computer Science and Data Science. Lauren is interested in data science and its intersections within the digital humanities. She has acted as Events Coordinator for the Quantitative Sciences Course Union (QSCU) and will act as QSCU President for the 2019-20 academic year. Lauren is conducting UX research to inform web development for SpokenWeb. She will also work on the development of the UBCO SpokenWeb SoundBox Collection page.

Jonathan Sterne, a leading expert in the discipline of sound studies, and a founder of the field of format studies, will apply this expertise to our study of analogue media formats in relation to digitized audio collections.

Felicity Tayler is the E-Research Librarian at University of Ottawa with a portfolio in Research Data Management. She is an occasional visual artist and curator, and has published scholarly writing related to literary archives in anthologies, in Journal of Canadian Art History, Canadian Literature, and Mémoires du livre / Studies in Book Culture.

Amy Thiessen is an undergraduate student in English at UBCO, and an RA for SpokenWeb with particular focus on pedagogy and research creation. She is interested in studying poetry, and its relationship with the digital audio world.

Leah Van Dyk is an MA candidate in the Department of English at the University of Calgary, and research assistant on the department’s SpokenWeb project with Dr. Jason Wiens. Their research focuses on the audio recordings housed at the University of Calgary’s Archives and Special Collections for poets and authors such as Robert Kroetsch, Earle Birney, Alden Nowlan, and E. D. Blodgett. Her MA thesis examines water and its environs in contemporary Canadian literature, specifically using theories of elemental ecocriticism and trans-corporeality to discover how water affects, and is affected by, narrative. She also has work forthcoming in the anthology “Feminist Perspectives in Children’s Culture” (Canadian Scholars/Women’s Press).

Rodrigo Velasco is a Mexican artist interweaving text, image, rhythm and sound through relational poetics and live coding, etc. Improvisation and collaborative processes are at the heart of the experience, where thought is being transformed into abstract audiovisual experiences. Rodrigo is a student of the Master of Design at Concordia University in the Department of Design and Computation Arts and part of the SenseLab, a laboratory for thought in motion.

His explorations through workshops, non books and audiovisual performances have been shared internationally as part of /vivo/ 2014, Simposio Internacional de Música y Código, Libre Graphics Meeting 2018, Nuit Blanche, NOCHE EN BLANCO : LATINX (RE) MIX – Eastern Bloc + Never Apart, Electronic Literature Organization – ELO 2018, TOPO Digital Writings Laboratory, live => coding music, IMPA ˜ Rio de Janeiro and MUTEK Montréal Edition 19

Darren Wershler’s expertise in Contemporary Poetics, Media history and theory, digital humanities, copyright, and in questions of digital economy, will be of benefit to critical and digital aspects of the program.

Jared Wiercinski’s contributions will focus on interface design and tools for the presentation and use of digitized literary audio.

Piyusha Chatterjee is a PhD student in the Individualized Program at Concordia University. Her research interests are oral history theory and practise, political economy of the city, sounds, and media in the public sphere. For SpokenWeb, she is exploring the possibility of using oral history methodology to engage with literary audio recordings digitized in the collections.