On the closing night of the 2021 “Listening, Sound, Agency” symposium, Wired on Words partners with SpokenWeb to co-host a special edition of the Words and Music Show.
Performances | Cole Mash, Eight Track (Talonbooks 2019), Erin Scott, Governor General’s Literary Awards, Ian Ferrier, Jason Camlot, Kevin McNeilly, Klara du Plessis, Listening, Listening-Sound-Agency, Oana Avasilichioaei, performance, The Words and Music Show
For Black History Month we’re screening Black Writers Out Loud, featuring Roen Higgins, Fabrice Koffy, Faith Paré and Jason Selman.
Performances | Black History Month, Montreal, performance, Quebec Writers Federation, SpokenWeb, The Words and Music Show, Wired on Words
Calling Kaie Kellough an ancestral voice is maybe presumptive or even paradoxical, considering the bold aesthetic leaps in his work, and his widening reputation as a necessary innovative voice among a rising generation of writers in Canada. Whether it be in the circuitry between voice, image, and jazz of his collaborative “UBGNLSWRE” with musician and composer Jason Sharp and Kevin Yuen Kit Lo, or in the lyrical torrent of his Magnetic Equator, winner of the Griffin Poetry Prize (McClelland & Stewart, 2019), Kaie’s poiesis is undeniably futurist. It’s from the futurism of his writing, however, that the ancestral surfaces. He is attuned to the frequencies of many Black histories unfolding all at once. The ‘past’ still reverberates with the same intensity. By weaving memoryscapes across continents in Magnetic Equator and the fiction collection Dominoes at the Crossroads (Véhicule, 2020), Kaie’s work splashes in history’s restlessness. History never knocks politely. It seeps in through the floorboards. Kaie is unafraid to go down with its tide.
Article, Interviews, SPOKENWEBLOG | Afua Cooper, Calgary, Caribbean, Dionne Brand, Dominoes at the Crossroads, dub poetry, Fabrice Koffy, H. Nigel Thomas, Kaie Kellough, Kalmunity Vibe Collective, Lillian Allen, Listening, Listening-Sound-Agency, Listening-Sound-Agency-Forum, M. NourbeSe Philip, Magnetic Equator, Montreal, oral performance, the Wailers, The Words and Music Show
I’ve been listening to recordings of The Words and Music Show for almost a year now. There are no shortages of standout performances in the collection, but every so often I’ll encounter something that catches me off guard with how much it resonates with the world around me in that moment of discovery.
Audio of the week, SPOKENWEBLOG | Ali Barillaro, Audio of the Week, spoken word, Tanya Davis, The Words and Music Show
For the past three months, Ian Ferrier, host for twenty years (and running) monthly Words and Music Show, and the 2019 SW Curator in Residence, has collaborated with Jason Camlot (Director of SpokenWeb) in running the online version of the Words and Music Show. While Words and Music usually takes a vacation in the month […]
Performances | Concordia University, Ian Ferrier, Jason Camlot, Montreal, musical performance, Quebec, SpokenWeb, The Words and Music Show, visual presentation
Part of the Blue Metropolis International Literary Festival Cost: $7 This event is hosted by writer, performer and SpokenWeb community partner Ian Ferrier. It is Montreal’s longest-running literary variety show and this edition will feature Melanie Mununggurr-Williams, Liz Howard, Kaie Kellough and Julie Bruck. For tickets and more information, click here.
Performances | Blue Met Festival, Hôtel 10, Ian Ferrier, Julie Bruck, Kaie Kellough, Liz Howard, Melanie Mununggurr-Williams, Montreal, The Words and Music Show
When recording to tape became accessible in the 1960s, artists began documenting literary performances and conversations. But most of these audio archives remain inaccessible or in danger of decay. Those that do end up being digitized are largely unreachable by a wide audience. SpokenWeb, a cross-university project funded by the Social Sciences and Humanities Research Council […]
Performances | Blue Met Festival, Concordia University, Deep Curation, Hôtel 10, La Vitrola, Montreal, Performing the Archive, The Words and Music Show