The SpokenWeb Research Network (www.spokenweb.ca) is hosting the 2024 SpokenWeb Research Symposium at the University of Calgary, in Calgary, Canada from June 5-7, 2024. We invite those from inside and outside the Network who engage with sound in their research and/or creative practice to submit paper or panel proposals that respond to the conference theme: Sounding the Futures: Listening Across Time and Space.
Calling Kaie Kellough an ancestral voice is maybe presumptive or even paradoxical, considering the bold aesthetic leaps in his work, and his widening reputation as a necessary innovative voice among a rising generation of writers in Canada. Whether it be in the circuitry between voice, image, and jazz of his collaborative “UBGNLSWRE” with musician and composer Jason Sharp and Kevin Yuen Kit Lo, or in the lyrical torrent of his Magnetic Equator, winner of the Griffin Poetry Prize (McClelland & Stewart, 2019), Kaie’s poiesis is undeniably futurist. It’s from the futurism of his writing, however, that the ancestral surfaces. He is attuned to the frequencies of many Black histories unfolding all at once. The ‘past’ still reverberates with the same intensity. By weaving memoryscapes across continents in Magnetic Equator and the fiction collection Dominoes at the Crossroads (Véhicule, 2020), Kaie’s work splashes in history’s restlessness. History never knocks politely. It seeps in through the floorboards. Kaie is unafraid to go down with its tide.
Article, Interviews, SPOKENWEBLOG | Afua Cooper, Calgary, Caribbean, Dionne Brand, Dominoes at the Crossroads, dub poetry, Fabrice Koffy, H. Nigel Thomas, Kaie Kellough, Kalmunity Vibe Collective, Lillian Allen, Listening, Listening-Sound-Agency, Listening-Sound-Agency-Forum, M. NourbeSe Philip, Magnetic Equator, Montreal, oral performance, the Wailers, The Words and Music Show