How to introduce an introduction. How to warm the stage for the dates, facts, and anecdotes that are already presented in Stephen Morrissey’s reminiscences about Véhicule Art Inc. as an experimental forum for the performance of new poetry, in the 1970s, in Montreal. The Véhicule Poets—again, see post below for the who’s who—have maintained a […]
Article, SPOKENWEBLOG | canadian literature, Montreal, oral literary history, poetry, Poetry Reading, SGWU, Sir George Williams Poetry Reading Series, SPOKENWEBLOG, Stephen Morrissey, Véhicule Art, Véhicule Poets, Véhicule Press
Jason Wiens’ interest in teaching poetry with sound recordings has led his critical attention back to a tradition of textual analysis that emerged in France in the late 1970s, known as “genetic criticism” (La Critique génétique), with its interest in approaching texts as entities whose emergence is traceable through the study of “avant-texts”. In this interview conducted by Jason Camlot, Wiens talks about recent experiments and assignments he has used in teaching Canadian poetry with sound recordings, and explains his interest in genetic criticism as it relates to the study of audiotexts.
Article, Interviews, SPOKENWEBLOG | Audiotexts, Can Lit, Deanna Fong, deformance, Flywheel Poetry Series, genetic criticism, Kootenay School of Writing, Pedagogy, poetry, Roy Kiyooka, SGW Reading Series, Sir George Williams Poetry Reading Series
As a new member of the SpokenWeb team, I was thrilled to connect with Postdoctoral Fellow and SpokenWeb researcher, Mathieu Aubin, and learn about his work in a more specific context than our weekly meetings. Aubin’s research examines queerness in oral histories and audio recordings of literary events, engaging activist and marginalized voices, content, and […]
Article, Interviews, SPOKENWEBLOG | bill bissett, Daphne Marlatt, LGBTQ2+ media, Oral History, Phyllis Webb, qualitative listening, queer resonances, Sir George Williams Poetry Reading Series