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SpokenWeb Postdoctoral Fellow in the Multimedia Archive Simon Fraser University Department of English (Post)

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We invite applicants for a one-year postdoctoral fellow to explore SFU’s extensive holdings on the theme of the multimedia archive. The aim of this fellowship is to promote critical and creative responses to SFU SpokenWeb’s rich literary audio archive—one of the largest collections in Canada—and to investigate the connections between this audio archive and the Library’s holdings in rare and fine books, manuscripts, and other media, as well as connections between other literary audio collections.

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“How in the hell do you get home?”: Listening to the particular in “Prince George, Finally” (Post)

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  While inputting metadata as part of my RA work for Simon Fraser University’s SpokenWeb team, there was one tape that I kept coming back to. The tape is a recording of poet Brian Fawcett reading and being interviewed for the radio program Mountain Pass. After returning to this recording again and again, I decided […]

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ShortCuts: TAKE 3 – The Politics of Literary Modernism (Post)

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How might a public dialogue between three modernist poets in 1978—about poetry written in the 1930s and 1940s—remain relevant to thinking about the conditions of Canadian literature today? Dorothy Livesay, Anne Marriott, and Irving Layton, as we have explored in Take 1 and Take 2, examine the shifting relationships between politics, nation, and poetry that are foundational to understandings of what constitutes ‘modernism’ in Canada during these periods.

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ShortCuts: TAKE 2 – ‘Little Magazines’ and New Print Possibilities in Canada (Post)

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This post is the second of a three-part series by Teddie Brock, all based on a 1978 panel discussion with Dorothy Livesay, Anne Marriott, and Irving Layton, as recorded on audio preserved at the Simon Fraser University Archives. Check back on SPOKENWEBLOG for the next installment of this close listening to the archives as they […]

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ShortCuts: TAKE 1 – Canadian Poetry “In The Air” and “On The Page” (Post)

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LIVESAY: “But in the 30s there were absolutely no readings… I—we were much too embarrassed or shy even to read to each other. Everything was the printed word. And that is why the magazine was such an important thing… Poets were working together to produce a magazine, and to try and get an audience for […]

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ShortCuts Introduction: Canadian Poetry of the 1930s and 1940s—Listening to Literary History (Post)

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ShortCuts on SPOKENWEBLOG is a series of critical commentaries about short clips selected from audio collections across the SpokenWeb network. This post introduces a three-part series by Teddie Brock, all based on a 1978 panel discussion with Dorothy Livesay, Anne Marriott, and Irving Layton, as recorded on audio preserved at the Simon Fraser University Archives. […]

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Gender, Affective Labour, and Community-Building Through Literary Audio Recordings (Post)

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Introduction This article emerged from the “feminist close listening” methodology we devised together during a collaborative listening session in Montreal, December, 2017. We began the practice of listening to recordings together, in real time, as a way of attuning ourselves to the related inquiries that our archives of interest shared. For Karis, this archive is […]

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From Trash to Treasure – Collection Thinking: Using, Moving, Holding. A Talk at SFU by Jason Camlot and Linda Morra — Mar 08, 2022 (Events)

Burnaby, BC - Simon Fraser University - Bennett Library, Room 7200

In this talk, editors Jason Camlot (Professor and CURC, Concordia University) and Linda M. Morra (Farley Visiting Scholar) speak about Collection Thinking: Using, Moving, Holding (Routledge, forthcoming 2022, with Dr. Martha Langford), a volume designed to examine the communities and institutions involved in collecting practices in their various forms.

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